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Annual
Blanket
One yearly license fee covers unlimited
music use. Fee varies with type of usage and market size. |
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Clearance
The type of permission granted by a license
agreement. |
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Clearance Categories
for Programs
All TV Media: Telecast on all free TV,
cable (basic & pay subscription),
and digital TV & DBS.
Free TV: Telecast on free TV only.
Includes re-transmission on basic cable service (does not
include basic or pay subscription).
Cable: Telecast on cable (basic
and pay subscription), digital TV and DBS.
Internet: Web cast on the Internet
in linear or non-linear, non-downloadable form only.
Radio: Broadcast on radio.
In-Transit Exhibition, Common Carrier and Closed Circuit
Transmission:Broadcast or exhibition
on a closed circuit system and on boats, trains, planes or
any form of transportation
in which
entertainment is supplied by the carrier. |
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Copyright
Copyright is the right granted by law to the creators of
original literary, dramatic, artistic and musical works to
ensure that copyright owners are rewarded for the exploitation
of their works. Copyright protection begins as soon as an
original piece of music is written or recorded. This means
that the writer (or his/her publisher if they have one) has
the right to determine who can make recordings, or copy previously
made recordings, of his/her work, and under what terms. |
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Film Festival
Exhibition at festivals for awards only. |
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Infomercials
Extended length productions that promote a product or service
for commerce. |
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Laser Drop
See “Needledrop” (LINK) definition. |
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Local Commercial
Airing in a single state only, and in no major markets |
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Musical work
The copyright in a musical work, including any lyrics, belongs
to the songwriter or composer who wrote the work. It is often
assigned to, or exclusively licensed or administered by a music
publisher. The copyright period may vary but in most cases
it will expire seventy years after the year of the death of
the composer or last surviving co-writer.
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National /Nationwide Commercial
Airing in the U.S. in either, at least two major markets* or more
than five states.
• Major markets are New York City, Los Angeles, Chicago, Dallas
and Miami. |
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Needledrop
A single use of music in a production. If use exceeds the length
of the original composition (looping), then an additional needledrop
has occurred. |
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Non-Broadcast Production
Programs or presentations that are linear and
non-broadcast (and will not be transmitted either by broadcast
signal or cable). Usually corporate in-house program and presentation
productions not intended for broadcast or cable transmission to
the public. Includes up to 500 copies for internal use. |
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A Performance
The rights to an artist's performance belong
to that performer. This right applies to all types of performance
including a performance in a studio for recording purposes. Rights
in most artists' performances on record are dealt with by the record
company which owns that recording, but there are circumstances
when a performers' rights must be addressed separately. |
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Performing Rights
These are generally the responsibility of the broadcast user. In
the case of broadcasters (radio, TV, cable and satellite) it
is customary and generally the responsibility of the broadcaster
to have negotiated licenses for these rights with the performing
rights organization in the United States (ASCAP, BMI and SESAC). |
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Production Blanket
Unlimited music use in a single production. License fee is based
upon production length and market. |
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Productions for Distribution
Audio/video cassette or disc produced in a
linear fashion for distribution or sale to the general public or
a select audience. |
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Production Music
Often referred to as Library Music, this music
is produced exclusively for inclusion in professional audio-visual
productions. High quality recordings reflecting a wide range of
musical styles are available to audio-visual producers for licensing
at a fixed, cost-effective rate license fee. All rights generally
required by producers are licensed simultaneously. |
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Promos
Productions that promote program viewing. |
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PSA
Public Service Announcement: non-profit productions provide information
or service to the general public. |
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Public Domain (PD) music
When the term of a copyright has expired, the musical work or sound
recording to which that copyright applied is considered public
property. No license is
required in these circumstances; however, producers are advised
to take great care in confirming that any music they consider to
be in public domain is actually PD. |
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Publisher
The organization, company or administrator of rights for musical
compositions that are intended for distribution. |
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Regional Commercial
Airing in up to, and including five
states which may include a single major market. *Major markets
are New York City, Los Angeles,
Chicago, Dallas and Miami. |
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Revision
Any change or alteration to an existing production. This change
can be audio, visual or both. Any revision requires a new and
separate license, since this is considered a new and separate
production. |
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Sound Recording
The copyright in a sound recording belongs to the person or company
who made the recording. This is usually deemed to be the record
company, which holds a contract with the artist performing on
the recording. |
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Tags
A short segment added to the main body of a
commercial that presents additional information regarding the product
or identifies a
different market the commercial is aired in. Each tag requires
a new license. |
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Telephone (Message or Music)
On-Hold
Telephone on-hold with either message with music or music only. |
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Territories
The geographic area covered by a license. Commonly referred to
categories -
Worldwide, National /Nationwide, Regional, Local. |
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Term
The duration of the license. |
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Theatrical
Exhibition in public venues for entertainment. |
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Theme Use
A single piece of music used on multiple occasions to create a
common audio identity. |
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Worldwide
Airing nationally in any country and/or outside of the U.S. |